BK on the unconscious.
Posted: Mon May 31, 2021 8:49 pm
{{{*see the footnote at bottom if you are somebody who interprets this kind of post as evidence that somebody does not have deep respect and gratitude for Bernardo's work.}}}
When making the distinction between meta-consciousness (knowing THAT we are having a given experience) and the more general phenomenal consciousness (simply any state of which there is something it is like to be), Bernardo often uses the example of the experience of breathing.
He says that ten minutes ago you were having the experience of breathing but you simply were not focusing on it and thereby making it 'meta.'
I understand the point he is trying to make and I agree with the main point. The main point to me is that when I am not directly noticing my breathing or the sounds of voices in the background they are still 'in' my experience in some way. However, Bernardo talks about the way they are there as if they are there as themselves and we simply haven't directly the spotlight of meta-consciousness onto them. In the latest video (just up today) he describes the fine detailed sensations that go along with breathing (from the air in the nostrils, to pressure changes through the face, neck and diaphragm and much more) and he says that ten minutes ago you were aware of all those details you simply were not meta-conscious of them.
I one level I just think this is a clumsy and not very accurate way of describing the actual process of shifting from one kind of awareness to another. To this degree it may lead people astray and create a wrong impression but it still makes a general point that there is only consciousness.
But on another level, I think this sets up some ontological snags.
Bernardo says that ten minutes ago you were directly aware of the the fine and very intricate details of the temperature and pressure of the air as it enters your left nostril, but you simply were not meta-conscious of the temperature and feel of that moment. At the same moment you were also aware of the strain and frustrated anger coming from the boy's voice across the street, but you simply were not meta-conscious of it. And at the same exact moment that you were aware of your nose and the quality of anger in the boy's voice, you were also noticing the rhythm of the string that was fluttering on the bookshelf behind the book you were reading, but, again, you simply were not meta-conscious of it. And there are probably a dozen other things you were aware of but not meta-conscious of in that exact same moment of noticing the temperature of air moving through you right nostril. What you were meta-conscious of was the idea you were trying to understand from some book. But at the exact same time that you were thinking about the meaning of the word 'implicit' in the book, you were phenomenology conscious of those dozens of intricate details.
To conceptualize this the way that Bernardo puts it, we basically have to drag in his DID theory (which I love, by the way) of the relationship between mind-at-large and its alters...and apply it to every second of our ongoing experience. In other words, as I am meta-consciously thinking about how the author of the book is using the word 'implicit,' there are dozens and dozens of alters within me that are having very intricate and specific experiences that are unique and separated from each other. One of my alters is noticing the anger in the boy's voice. Another is noticing the exact warmth in my right nostril; another the pressure of air moving through that nostril; another notices the string swaying in the background, and on and on. Bernardo is not claiming that outside of my meta-conscious thoughts about the meaning of 'implicit' there is ONE field of experiencing that somehow is simultaneously aware of distinct sounds and thoughts and feelings and objects....
This is where I think Eugene Gendlin's Process Model comes to the rescue. I won't go into it, but it points to the way we can honor Bernardo's ontological model without having to claim that the phenomenal experiences that are not in meta-consciousness have the form that they have when they become the object of meta-consciousness.
Yes, all those other experiences are functioning within my experience right now and even shaping aspects of my meta-consciousness right now, but they are not doing so 'as themselves'; they are not 'there' as they will be when I shift my meta-attention to them. That very process of shifting explicates them into the forms they become under the spotlight of meta-attention. That process of explication (The word became flesh kind of thing) is a metamorphosis. And a constant part of our experiencing.
But maybe there is another way to think about how Bernardo expresses this relationship that doesn't imply a slew of alters within my alter.
* There is a certain kind of personality that considers comments like those above to come from a psychological place of ill-will or sometimes even hatred. Because it is impossible for me to always stress all the reasons I feel deep gratitude towards Bernardo for his work, and because not all of my posts can be explicitly about what I fully agree with or understand, I will often bring up various kinds of tensions I have with his work or ways of expressing it. I can't convince such people that my ideas are happy and breezy and ready to be friends, but I can make footnotes like this to at least create some wiggle room towards that kind of enjoyment.
When making the distinction between meta-consciousness (knowing THAT we are having a given experience) and the more general phenomenal consciousness (simply any state of which there is something it is like to be), Bernardo often uses the example of the experience of breathing.
He says that ten minutes ago you were having the experience of breathing but you simply were not focusing on it and thereby making it 'meta.'
I understand the point he is trying to make and I agree with the main point. The main point to me is that when I am not directly noticing my breathing or the sounds of voices in the background they are still 'in' my experience in some way. However, Bernardo talks about the way they are there as if they are there as themselves and we simply haven't directly the spotlight of meta-consciousness onto them. In the latest video (just up today) he describes the fine detailed sensations that go along with breathing (from the air in the nostrils, to pressure changes through the face, neck and diaphragm and much more) and he says that ten minutes ago you were aware of all those details you simply were not meta-conscious of them.
I one level I just think this is a clumsy and not very accurate way of describing the actual process of shifting from one kind of awareness to another. To this degree it may lead people astray and create a wrong impression but it still makes a general point that there is only consciousness.
But on another level, I think this sets up some ontological snags.
Bernardo says that ten minutes ago you were directly aware of the the fine and very intricate details of the temperature and pressure of the air as it enters your left nostril, but you simply were not meta-conscious of the temperature and feel of that moment. At the same moment you were also aware of the strain and frustrated anger coming from the boy's voice across the street, but you simply were not meta-conscious of it. And at the same exact moment that you were aware of your nose and the quality of anger in the boy's voice, you were also noticing the rhythm of the string that was fluttering on the bookshelf behind the book you were reading, but, again, you simply were not meta-conscious of it. And there are probably a dozen other things you were aware of but not meta-conscious of in that exact same moment of noticing the temperature of air moving through you right nostril. What you were meta-conscious of was the idea you were trying to understand from some book. But at the exact same time that you were thinking about the meaning of the word 'implicit' in the book, you were phenomenology conscious of those dozens of intricate details.
To conceptualize this the way that Bernardo puts it, we basically have to drag in his DID theory (which I love, by the way) of the relationship between mind-at-large and its alters...and apply it to every second of our ongoing experience. In other words, as I am meta-consciously thinking about how the author of the book is using the word 'implicit,' there are dozens and dozens of alters within me that are having very intricate and specific experiences that are unique and separated from each other. One of my alters is noticing the anger in the boy's voice. Another is noticing the exact warmth in my right nostril; another the pressure of air moving through that nostril; another notices the string swaying in the background, and on and on. Bernardo is not claiming that outside of my meta-conscious thoughts about the meaning of 'implicit' there is ONE field of experiencing that somehow is simultaneously aware of distinct sounds and thoughts and feelings and objects....
This is where I think Eugene Gendlin's Process Model comes to the rescue. I won't go into it, but it points to the way we can honor Bernardo's ontological model without having to claim that the phenomenal experiences that are not in meta-consciousness have the form that they have when they become the object of meta-consciousness.
Yes, all those other experiences are functioning within my experience right now and even shaping aspects of my meta-consciousness right now, but they are not doing so 'as themselves'; they are not 'there' as they will be when I shift my meta-attention to them. That very process of shifting explicates them into the forms they become under the spotlight of meta-attention. That process of explication (The word became flesh kind of thing) is a metamorphosis. And a constant part of our experiencing.
But maybe there is another way to think about how Bernardo expresses this relationship that doesn't imply a slew of alters within my alter.
* There is a certain kind of personality that considers comments like those above to come from a psychological place of ill-will or sometimes even hatred. Because it is impossible for me to always stress all the reasons I feel deep gratitude towards Bernardo for his work, and because not all of my posts can be explicitly about what I fully agree with or understand, I will often bring up various kinds of tensions I have with his work or ways of expressing it. I can't convince such people that my ideas are happy and breezy and ready to be friends, but I can make footnotes like this to at least create some wiggle room towards that kind of enjoyment.